| Dalziel
+ Scullion
Curriculum
Vitae
|
|
Matthew
Dalziel
|
| 1957
|
Born
Irvine, Scotland |
Education |
|
| 1981-85
|
BA
(HONS) Fine Art Duncan of Jordanstone College of Art and
Design, Dundee |
| 1985-87 |
HND
in Documentary Photography, Gwent College of Higher
Education, Newport, Wales |
| 1987-88 |
Postgraduate
Diploma in Sculpture and Fine Art Photography,
Glasgow School of Art |
| Louise
Scullion |
| 1966
|
Born
Helensburgh, Scotland |
|
Education
|
|
| 1984-88 |
BA
(1st CLASS HONS) Environmental Art, Glasgow School of Art |
Biography
Solo
Exhibitions + Projects |
| 2005
|
Earthdom, Peterborough Digital Arts in asso. with Film & Video Umbrella |
2004 |
Storm: The Measures Houldsworth Gallery, London |
2003
|
Storm
Gallery of Modern Art, Glasgow
Genus National Museum of Photography, Film and Televsion, Bradford
Aura A Streetlevel, Glagow
Applied Metaphysics pt 2 Catalyst Arts, Belfast
Dalziel+Scullion, Taigh Chearsabhagh, Lochmaddy, North Uist, Western Isles
Home, Manchester City Art Gallery, Manchester
Water Falls Down, Ibid Projects, Vilnius, Lithuania |
| 2002 |
Raptor,
Houldsworth, London
Aura A, Houldsworth, London
Home, Milton Keynes Art Gallery |
| 2001 |
Home,
Fruitmarket Gallery, Edinburgh;
Meltwater, Sadler’s Wells Theatre, London
Voyager, Yorkshire Sculpture Park, Wakefield |
| 2000 |
Modern
Nature, permanent installation for Elrick Hill, Scotland
Rain, Oriel 31 Gallery, Powys, Wales
BAFTA New Talent Scotland, nomination for Best Film Director for The Pressure
of Spring (Channel 4, 1999) |
|
1999 |
The
Way Stations, Art Connexion, Lille, France; Duff House, Banff (project commissioner)
and Pier Art Centre, Orkney
The Pressure of Spring, commissioned short film for Channel Four Television |
| 1998 |
The
Way Stations, Centre for Contemporary Art, Melbourne, Australia |
| 1997 |
Goes
Ah, Iain Irving Projects, Peterhead, Aberdeenshire
Endlessly, Scottish National Gallery of Modern Art, Edinburgh
Migrator, permanent installation for World Business Centre, Heathrow Airport,
London
The Horn, permanent installation on M8 Motorway, West Lothian Council, Scotland |
| 1996 |
British
Waves – New British Art in Rome, Studio Miscetti, Rome as part of
a British Festival of Arts, curated by British Arts Council and Mario Codognato
Dalziel + Scullion, Arnolfini Gallery, Bristol |
| 1995 |
Dalziel
+Scullion, Centre of Contemporary Art, Glasgow and Ikon Gallery, Birmingham
The Most Beautiful Thing, Scottish Arts Council Commission for Travelling
Gallery, touring Scotland |
| Selected
Group Exhibitions |
| 2005 |
Freeze Frame Stephen Lawrence Gallery, London |
| 2004 |
Blind Sight, Visual Research Centre, Dundee and Titanik Gallery, Turku, Finland
Forest, Wolverhampton Art Gallery |
| 2003 |
Classic
Independent Films, Naples, Italy
Hot Summer in the City, Sean Kelly Gallery, New York
Science, poetry, and art, Dundee Contemporary Arts, Dundee
A Great Piece of Turf, Danielle Arnaud Gallery, London
Frozen, Site Gallery, Sheffield
Picturesque, Tullie House Gallery, Carlisle |
| 2002 |
Living
Landscape, West Cork Arts Centre, Ireland and An Tuireann Arts Centre, Isle
of Skye, Scotland
Am Polylog, Worgl/Tirol, Austria
First International Biennal of Video Art, Centre of Contemporary Art, Tel
Aviv, Israel
Landing, Department of Geography, University of London
My Father is the Wise Man of the Village, Fruitmarket Gallery, Edinburgh
Cinema Texas, Short Film Festival, (Another Place shown at the Hideout Theatre,
Texas)
Target Art, Madison Square Park, New York (with Dan Graham and Mark Dion;
organised by Public Art Fund, New York)
Distilled, Boylan Studios, New York |
| 2001 |
New
Visions of the Sea, National Maritime Museum, London
The Forum, Norwich Gallery, Norwich
Edinburgh International Film Festival, Edinburgh
Here and Now, McManus Gallery, Dundee Contemporary Arts, Generator and Aberdeen
Art Gallery, Scotland
Shriek From an Invisible Box, Merguro Museum of Art, Tokyo
Re-mote, Photographer’s Gallery, London
Living the Land, Duff House, Banff, Scotland |
| 2000 |
Infinitude,
Gallery of Modern Art, Glasgow
The Idea of North, Leeds City Arts Centre |
| 1998 |
Expo
98, commission of three films to accompany performances by Craig Armstrong,
Gavin Bryers and Karen Matheson; Royal Gala Performance, National Day for
Britain, Expo 98, Lisbon
Exhibition for British Multiples, Morioka Hashimoto Museum of Art, Japan
This Island Earth, An Tuireann, Isle of Skye, Scotland
Scottish Contemporary Artists, Contemporary Art Space, Christchurch, New
Zealand
Out There, postcard work for inclusion in Coil, Journal of the Moving Image,
London
The Idea of North, limited edition of compasses, Multiple Store, London |
| 1997 |
If
it wasn’t for the mist we could see your home across the bay…,
curated by Judith Findlay for Zing Magazine, Grays School of Art, Aberdeen
Fast Moving Car, Iain Irving Projects, Peterhead, Aberdeenshire |
| 1996 |
Luminous,
Northern Gallery of Contemporary Art, Sunderland
Girl’s High, Old Fruitmarket, Glasgow |
| 1995 |
Venice
Biennale, Young British Artists at Scuola di San Pasquale
Swarm, Scottish Arts Council Travelling Gallery
Shadows on the Water, Fotofeis international touring exhibition |
| 1994 |
4
Minutes, permanent installation for Science Museum, London
Art Unlimited: Multiples of the 1960s and 1990s from the British Arts Council
Collection, South Bank Centre, London |
| 1993 |
Public
and Private, Institut Francais d’Ecosse as part of Fotofeis ‘95 |
| Filmworks |
| 2005 |
Earthdom Peterborough Digital Arts |
| 2003 |
Another
Place Classic Independent Films, Naples, Italy |
| 2002 |
Another
Place, Edinburgh Film Festival,
Another Place, Cinema Texas 7, Austin, Texas
Another Place 1st International Biennial of Video Art, Tel Aviv, Israel,
Illuminations, Dalziel + Scullion, Profile from the Eye Series, |
| 2001
|
Artworks
Scotland BBC 1, Electric Landscapes, Dalziel + Scullion |
| 1999 |
The
Pressure of Spring Channel 4 Television. |
| Site
Specific Commissions |
| 2005 |
Breath Taking Nationwide Billboard Project, Deveron Arts, Aberdeenshire |
| 2003 |
The
Ontological Garden, The Royal Children’s Hospital, Aberdeen,
Birch Stand, BA Commissions, Terminal 1, Heathrow, London |
| 2001 |
Meltwater
for Sadler’s Wells Theatre, London |
| 2000 |
Modern
Nature, Elrick Hill, Aberdeenshire
Rain, Oriel 31, Newtown, Wales
|
| 1997 |
Migrator
for the British Airport Authority, Heathrow
The Horn for M8 Motorway (West Lothian District Council) |
| 1995 |
4
minutes, for the Science Museum, London |
| Awards |
2005 |
Creative Scotland Award |
2004 |
Royal
Incorporation of Architects Scotland: Creative Award |
| 2002-03 |
Fellowship,
Museum of Photography, Film and Television, Bradford |
| 2002 |
Carnegie
Award |
| 2001 |
Scottish
Arts Council Visual Artists Award |
| 2000 |
BAFTA
Nomination (Best Director, New Talent) |
| 1997 |
Scottish
Arts Council National Lottery Award |
| Lectures
and Symposiums |
| 2005
|
Energy, Landscape, Wilderness, Growth: Ex Serviceman's Club, Huntly
Cultural Dope Glasgow School of Art |
| 2003
|
Dalziel
+ Scullion, Gallery of Modern Art, Glasgow.
Fieldworks, Art and Anthropology Conference, Tate Modern, London, speakers
included, George E Marcus, Michael Taussig, Nicholas Thomas, Lucy Lippard,
Susan Hiller and Anthony Gormley.
Inaugural Lecture Artist Fellowship, National Museum of Photography, Film
and Television, Bradford.
Artist’s Talk, University of Bradford.
Art and the Environment, Glasgow School of Art, Glasgow.
Artists’ Talk, Manchester Art Gallery, Manchester.
Artist’s Talk, Vilnius Art Academy, Lithuania. |
| 2002 |
Art
and Nature, Tate Britain, London, speakers included, Mel Gooding, Paul Shepheard,
Siobhan Hapaska and Cathy de Monchaux;
Artist’s Talk, Vilnius Art Academy, Lithuania
Lecture to 15.10 Society, Scott Sutherland School of Architecture, RG University,
Aberdeen
|
| 2001 |
Electric
Landscapes, BBC2 documentary on Dalziel + Scullion
Fruitmarket Gallery, Edinburgh
Heaven on Earth Forum, University of Dundee and
The Fruitmarket Gallery
|
| 2000 |
Royal
Incorporation of Architects Convention at Our Dynamic Earth, Edinburgh,
speakers included, Sir Norman Foster, Will Alsop, Sune Nordgren, Douglas
Cardinal, Scinichi Ogawa, Malcolm Fraser and Neil Gillespie
Kunstakademi, Bergen, Norway;
RIAS CPD Arts & Architecture Talks, Dundee University;
Grays School of Art, Aberdeen;
Dundee School of Art
Art & Time Conference at Public Arts Wakefield |
| 1999 |
Edinburgh
College of Art; Dundee College of Art and Grays School of Art, Aberdeen |
| 1998 |
Kunstakademi,
Bergen, Norway; Dundee College of Art |
| 1996 |
Dundee
College of Art; Grays School of Art, Aberdeen; Glasgow School of Art and
Edinburgh College of Art |
| 1995 |
Centre
for Contemporary Art, Glasgow;
The Arnolfini Gallery, Bristol; Ikon Gallery, Birmingham;
Scottish Sculpture Conference, Stirling University;
National Public Art Forum, Traverse Theatre, Edinburgh;
Lowestoft College of Art, Suffolk and Art, People, Spaces
Conference at RCMAD, Glasgow |
| Selected Publications |
| |
2005 |
Breath Taking Deveron Arts
Freeze Frame Stephen Lawrence Gallery
Idea of North by
Peter Davidson published by Reaktion Books
Silicon Fen Norwich School of Art and Design and London Film and video Umbrella |
2004 |
Forest Wolverhampton Art Gallery
Private Views: Artists Working Today edited by Judith Palmer
published by Serpent's Tail
Blind Sight Visual Research centre, Dundee and Titanik Gallery, Finland |
| 2003 |
Genus
National Museum of Photography, Film and Television, Bradford
Picturesque, Tullie House Museum and Art Gallery, Carlisle
Natural Element, an exploration of Nature by Scottish Artists, Scotland
House, Brussels
Dalziel and Scullion- Aura A Street Level, Glasgow
Installation Art in the New Millenium by Nicolas de Oliveira, Nicola Oxley, Micheal Petry
published by Thames and Hudson
|
| 2002 |
Am
Polylog Stadtplatz-Stadtraum-Club, Worgl, Austria
Living Landscape: European Topographies, West Cork Arts Centre, Ireland
Video Zone, Centre for Contemporary Art, Tel Aviv, Israel
ArtTomorrow, edited by Edward Lucie-Smith, published by Terrail
Cinema Texas 7, International Short Film Festival, University of Texas,
Austin
Landing: Visualising Geography, editor Ingrid Swenson, published by London
University Press
Inprocess, published by Public Art Fund, New York
Living the Land, Duff House, Banff and Grays School of Art, Aberdeen
My Father is the Wise Man of the Village, edited by Trevor Cromie, published
by Artlink
and The Fruitmarket Gallery |
| 2001 |
Home,
The Fruitmarket Gallery, Edinburgh
Great 39, The Photographers Gallery, London
Here and Now, edited by Katrina Brown, Dundee Contemporary Arts, Dundee |
| 1999 |
Atopia
0.66, Atopia Magazine
Contemporary Sculpture in Scotland, edited by Andrew Patrizio, Craftsman
House, Australia |
| 1998 |
Richard
Hough Bursary, Stills Gallery, Edinburgh; essay by Gilda Williams
Morning Star/Evening Star, for Melbourne-Scottish Cultural Exchange, Australian
Centre for Contemporary Art
From Here to There, High Street Projects, Christchurch, New Zealand
Coil 7, Journal of the Moving Image
This Island Earth, An Tuireann Gallery, Skye |
|
1997 |
Endlessly,
Scottish National Gallery of Modern Art, Edinburgh, essay by Keith Hartley
Art at the Airports, BAA Programme, Heathrow, Point West |
| 1996 |
British
Artists in Rome, The British Council, Rome
Luminous, Northern Gallery for Contemporary Art, Sunderland |
| 1995 |
The
Most Beautiful Thing – Dalziel + Scullion, Scottish Arts Council,
Edinburgh
Desire and the Work of Dalziel and Scullion, Red Bluff Publications
Young British Artists at Scuola di San Pasquale, Venice Biennale, The British
Arts Council, London
Small Living Things that Fly, CCA, Glasgow, essay by Judith Findlay
Shadows in the Water, Fotofeis Ltd, Scotland |
| 1992 |
Power
and Providence, Cambridge Darkroom, Cambridge
Lux Europae, for the European Summit art exhibition, Edinburgh |
| 1990 |
The
British Art Show 4, South Bank Centre, London |
|
1989 |
Ways
of Telling, Oriel Mosten Gallery, Llandudno, Wales
Scatter, The Third Eye Centre, Glasgow
Through Photography, The Third Eye Centre, Glasgow |
| 1987 |
Mysterious
Coincidences, Photographers Gallery, London |
| Selected
Collections |
| |
BA
Collection
The National Museum of Photography, Film and Television, Bradford
The Fruitmarket Gallery, Edinburgh
Standard Life Investments plc
The Hennessey Collection, London
The Floback Collection, Miami, USA
Navigator Foundation, Boston, USA
Victoria and Albert Museum, London
Science Museum, London
Arts Council of England
British Airport Authorities
Wimbledon College of Art
Craft Council of England
British Council
Aberdeen Art Gallery & Museum |
| Teaching |
| 1995
- current |
Fine
Art Lecturers, Fine Art BA and MA Courses, Duncan of
Jordanstone College of Art and Design, University of Dundee |
| 1998-99 |
Visiting
Lecturers , Fine Art Course, Bergen, Art Academy, Norway |
| 1997 |
Temporary
Lecturers , MA Fine Art Course, Grays School of Art, Aberdeen |
| Selected
Reviews |
2003 |
BBC
Radio Scotland interview evening arts project, 14th November
Dalziel + Scullion Review of Storm by Iain Gale Scotland on Sunday 2nd November
Dalziel + Scullion Preview of Storm by Jack Mottram The List 16th- 30th
October
Mother Nature’s Dark Side preview of Storm by Moira Jeffrey, The Herald,
24th October
The Weeks Top Ten, Storm, The Scotsman, 1st November
Notions of Nature and Nurture, review of Storm by Moira Jeffrey, The Herald,
30th October
Dalziel +Scullion Review of Genus by Alfred Hickling The
Guardian Friday 3rd October
Dalziel +Scullion Review by Jack Mottram The List 14th August
Aura A review by Julie Brook Art Matters Issue no.17
Dalziel +Scullion review by Catriona Black Sunday Herald
27th July
Dalziel +Scullion Critics Choice Scotland on Sunday 20th July
Unnatural Connections review by Eddie Harrison Metro 16th July
Step into the Landscape review by Louise Porter News and Star
27th January
Another Side to the Country review by Kate Rees Cumberland
News 3rd January |
| 2002 |
Dalziel+Scullion,
Raptor, Houldsworth, Contemporary, review by Gabriel Coxhead, p76-77
Raptor, Houldsworth, review by Pablo Lafuerte, Art Next, p43
Footlights, Madison Makeover, Lawrence Van Gelder, New York Times, 11th
July p E1
Target Art in the Park, Around Town, Time Out, New York, 11-18th July p35+45
Home (review), Pryle Behrman, Art Monthly, Apr, p41-42
The Bigger Picture, Waldemar Januszczak, Culture Section, The Times, 31
Mar, p16-17 Review, Isabella Weir, The List, 4 Jan, p71 |
| 2001 |
Mixed
Media, Jack Mottram, The Big Issue, 13-26 Dec, p46-47
Time Out of Mind, Giles Sutherland, The Sunday Herald, 9 Dec, p8
Home (review), Elisabeth Mahoney, The Guardian, 5 Dec, p16
Home, Neil Cameron, The Scotsman S-2, 4 Dec, p9
Home (review), Sue Wilson, Metro, 4 Dec, p18
Home is where their art is, Jackie McGlone, The Scotsman S2, 4 Dec, p8-9
Art Choice, Iain Gale, Scotland on Sunday – At Play, 2 Dec, p17
Natural Relationships, Moira Jeffrey, Royal Academy Magazine, winter, p20
Getting the Horn, Helen Managhan, The List, 29 Nov, p16-18
Horn of Plenty, Moira Jeffrey, The Herald Magazine, 24 Nov, p14-17
Profile, Elisabeth Mahoney, Art Review, Sep, p52
Staring at the sea, staring at the sand, Alison Kubler, Artlink, vol21,
p44-46
It’s academic for county couple, Elisabeth Mahoney, The Sunday Times,
9 Sep, p7
Out of Focus, Andrew Mead, The Architects Journal, 12 Jul
Calling Nature, Front Lines, The List, 5 Jan |
| 2000 |
The
Idea of North, David Briars, Art Monthly, Dec, issue 242
The Wild and the Tamed, Moira Jeffrey, The Herald, 18 Dec
Another Place: Dalziel + Scullion, Gavin Morrison, Portfolio, vol 32, p24-29
Infinitude – GOMA, Glasgow, John Calcutt, Scotland on Sunday, 9 Jul
Life in the Basement, Elisabeth Mahoney, The Guardian, 8 Jul
Making Art & Architecture Sexy: RIAS Edinburgh, David Taylor, The Architect’s
Journal, May, p16-17
The Art of Integration: RIAS Edinburgh, Katherine Bateson, Building Design,
12 May, p10-11 |
| 1997 |
Endlessly:
Dalziel + Scullion, SNGMA, Iain Gale, Portfolio, vol 26, p59
The Art of Making Things, Francis McKee, Artist Newsletter, Oct, p16-19
The Horn is Born (almost), Aileen Little, The Herald (Icon), 22 Jul
East Meets West in the Garden of Paradise, Iain Gale, Scotland on Sunday,
20 Jul
Must See-Exhibition, Robert Clark, The Guardian, 5 Jul
Angels & Motorways, Susanna Beaumont, The List, 27 Jun |
| 1996-97 |
Judith
Findlay, Zing Magazine, Autumn/Winter |
| 1996 |
Dalziel
and Scullion Review, Padraig Timoney, Art Monthly, Feb, issue 193
Duncan Macmillan, The Scotsman, 22 Jan
Claire Henry, The Herald, 9 Jan
Judith Findlay interview, AD Journal (vol. title: Public Art), p16-23 |
| 1995 |
Dalziel
and Scullion at CCA Glasgow, Beatrice Collin, The Scotsman, 18 Dec
Overture, Judith Findlay, Flash Art International, Nov, no 185
1995 Venice Biennale, Noriko Umemlya, BT Magazine, no 175, p46 |
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